![]() ![]() ![]() The characters and their world come alive,Īnd the characters and its world still live on.Ĭonversation Starters is peppered with questions designed toĪnd invite us into the world that lives on. The ONE thing by Gary Keller and coauthored by Jay Papasan has hit the bestseller lists of several influential magazines and newspapers including the Wall Street Journal, The New York Times and USA Today.ĮVERY GOOD BOOK CONTAINS A WORLD FAR DEEPER Through focusing on your ONE Thing, you will be able to accomplish so much more while doing less. Readers will learn how to identify that which lies and steals time from their day. Through this book, one will learn how results are influenced directly by how one works and the choices they make. The ONE Thing, Gary Keller and Jay Papasan’s newest book, helps readers learn about becoming successful. Several of his books have been bestsellers, and held positions on the New York Times and Wall Street Journal lists. The ONE Thing: by Gary Keller | Conversation Starters Gary Keller is executive chairman of both kwx, a holding company that represents the collection of all Keller Williams affiliates and subsidiaries, and of Keller Williams Realty, Inc. ![]()
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![]() ![]() With nowhere to go and no way to escape, it is caught in a perpetual standing wave, a never-ending feedback of cityscape clatter. A world of constant din, where the echoing noise of traffic ricochets off the buildings in a constant, cacophonous roar. But down below, on the level of the street, it is a far different scenario, one of littered, gritty, noisy lanes choked with exhaust and angry taxis, of mad rambling panhandlers and scurrying office workers. From up on high, where the angels sit, Grand Avenue looks very handsome indeed, a veritable showcase of architectural dignity. Many of these edifices were built during the Great Potash Boom of the late 1920s, with all that that entails: sombre Calvinistic capitalist features and a grim, heavy-handed feel. ![]() ![]() Rising up in straight verticals, and flanking either side, are Grand Avenue's imposing Edwardian buildings, their facades creating two continuous walls. G rand Avenue cuts through the very heart of the city, from 71st Street all the way to the harbourfront, and although it is eight lanes wide, with a treed boulevard running down the middle, the Avenue feels claustrophobic and narrow. ![]() ![]() ![]() All this activity may seem shockingly futile, unless survival – in and of itself – can be called a purpose. Events that might be meaningful turning points, or significant resolutions, simply generate further action. Friendships are made and broken, factions unite and fracture, fortunes rise and fall and rise again. That said, there is no conventional narrative arc either. Each voice and viewpoint is nicely distinct – there is no single lens – and the narrative often jumps in time when it changes between characters, leaving the reader the enjoyable task of putting together the full story. ![]() The sentences are short, as are the chapters, the language is simple yet sharp, and the reader races happily over the terrain. Ben Hopkins has written a good old-fashioned historical novel, alive with dramatic detail rather than encrusted with period research. A fat 600 pages, set across forty years of the thirteenth century, Cathedral brings together religion, politics, trade and family in a noisy chronicle of territorial battles, domestic squabbles, and the strains and rivalries of work. ![]() ![]() ![]() Indeed, part of the book's fascination lies in seeing how the unsophisticated ads of the 1950s – copy-heavy, teeming with adjectives, full of underlined words – make way for "the big idea" of the 1960s: witty headline and picture combinations. Short essays introduce each volume (one dedicated to the 50s, the other the 60s), and help to illustrate how both the industry and society evolved over that period in terms of everything from sexism to alcohol consumption. maybe you'd better light up a Marlboro"? Did anyone actually fall for the "refreshing new note in printed acetate foulard neckwear" that was Manhattan's line of "side glance" ties (translation: novelty ties with the pattern down one side)? You'd be hard pressed not to smirk at some of the ideas that made the cut: did babies really advertise cigarettes in 1950 with lines such as "Before you scold me, Mom. A beautifully designed romp through those decades, this coffee-table tome is both thought-provoking and amusing, much like good marketing. Many of the campaigns of the 50s and 60s are included in Taschen's compendium of mid-century advertising created by the real masterminds of Madison Avenue (who coined the term "Mad men" themselves). ![]() ![]() ![]() ![]() One of Sartre’s key concepts in Being and Nothingness is “bad faith.” He argues that most people live in a state of bad faith, or a state of being that is characterized by a refusal to confront the fundamental truth of human existence. This means that objects in the world have no inherent meaning or value, but are instead given meaning and value by the conscious beings that perceive them. He contends that consciousness is always directed towards objects in the world, and that these objects are defined by their relationship to the consciousness that perceives them. Sartre believes that human existence is defined by the experience of consciousness, or the subjective awareness of one’s own existence. Sartre argues that human existence is characterized by a fundamental tension between being and nothingness, between the desire to create meaning and the awareness that the world is fundamentally meaningless. The central question of Being and Nothingness is the meaning of existence, or what it means to be human in the world. ![]() ![]() It is considered one of the most important works of existentialist philosophy, and presents a radical new understanding of human existence as a constant struggle to create meaning in a world that is fundamentally meaningless. Sartre’s Being and Nothingness: Key Conceptsīeing and Nothingness is a philosophical work written by Jean-Paul Sartre and published in 1943. ![]() |